questions 1 to 3 are based on this passage.

reviving the practice of using elements of popular music in classical composition, an approach that had been in hibernation in the united states during the 1960s, composer philip glass (born 1937) embraced the ethos of popular music in his compositions. glass based two symphonies on music by rock musicians david bowie and brian eno, but the symphonies sound is distinctively his. popular elements do not appear out of place in glasss classical music, which from its early days has shared certain harmonies and rhythms with rock music. yet this use of popular elements has not made glass a composer of popular music. his music is not a version of popular music packaged to attract classical listeners; it is high art for listeners steeped in rock rather than theclassics.

select only one answer choice.

1. the passage addresses which of the following issues related to glasss use of popular elements in his classicalcompositions?
   1. how it is regarded by listeners who prefer rock to theclassics
   2. how it has affected the commercial success of glasssmusic
   3. whether it has contributed to a revival of interest among other composers in using popular elements in theircompositions
   4. whether it has had a detrimental effect on glasss reputation as a composer of classicalmusic
   5. whether it has caused certain of glasss works to be derivative inquality

consider each of the three choices separately and select all thatapply.

1. the passage suggests that glasss work displays which of the followingqualities?
   1. a return to the use of popular music in classicalcompositions
   2. an attempt to elevate rock music to an artistic status more closely approximating that of classicalmusic
   3. a long-standing tendency to incorporate elements from two apparently disparate musicalstyles
2. select the sentence that distinguishes two ways of integrating rock and classicalmusic.

explanation

the passage describes in general terms how philip glass uses popular music in his classical compositions and explores how glass can do this without being imitative. note that there are no opposing views discussed; the author is simply presenting his or herviews.

question 1: one of the important points that the passage makes is that when glass uses popular elements in his music, the result is very much his own creation (it is distinctively his). in other words, the music is far from being derivative. thus one issue that the passage addresses is the one referred to in answer choice e — it answers it in the negative. the passage does not discuss the impact of glasss use of popular elements on listeners, on the commercial success of his music, on other composers or on glasss reputation, so none of choices a through d iscorrect. the correct answer is choice e.

question 2: to answer this question, it is important to assess each answer choice independently. since the passage says that glass revived the use of popular music in classical compositions, answer choice a is clearly correct. on the other hand, the passage also denies that glass composes popular music or packages it in a way to elevate its status, so answer choice b is incorrect. finally, since glasss style has always mixed elements of rock with classical elements, answer choice c is correct. thus the correct answer is choice a and choicec.

question 3: almost every sentence in the passage refers to incorporating rock music in classical compositions, but only the last sentence distinguishes two ways of doing so. it distinguishes between writing rock music in a way that will make it attractive to classical listeners and writing classical music that will be attractive to listeners familiar with rock. thus the correct answer is the last sentence of thepassage.